Tag Archives: Film

William Lane Craig reviews new Dawkins/Krauss movie “The Unbelievers” in The Blaze

Dr. William Lane Craig
Dr. William Lane Craig

On The Blaze, a major political news site, Dr. William Lane Craig reviews a new atheist movie entitled “The Unbelievers” starring Lawrence Krauss and Richard Dawkins.

Excerpt:

Richard Dawkins and Lawrence Krauss are two of the most important figures in the New Atheist movement. So one would naturally have high expectations that their new documentary, The Unbelievers, would present a vigorous, powerful attack upon the rationality of religious belief, featuring interviews with impressive scientists laying out the case against God.  Instead, the film turns out to be merely a travelogue of Dawkins and Krauss’ “magical mystery tour” of speaking engagements before their enthusiastic fans. Rather than thought provoking, the film is shallow, boring, and narcissistic.

[…]Featuring sound bites from celebrities and film stars in support of their cause fits Dawkins and Krauss’ purpose more than substantive interviews with qualified but largely unknown academics. The film’s purpose is not to present a case but primarily to rally the troops.

But there is a more fundamental reason for the absence of argument against religious belief. Dawkins and Krauss proceed on the unspoken assumption that science and religion are fundamentally mutually exclusive. Therefore, all one needs to do in order to discredit religion is to extol and celebrate the greatness of science. Science and religion are like two ends of a teeter-totter:  if the one end goes up, the other automatically declines. Thus, Krauss asks Dawkins which he would rather do:  explain science or destroy religion?  It is assumed that these are two ways to the same end. Dawkins, of course, chooses to extol science. “I’m in love with science, and I want to tell the world.” His implicit assumption is that one cannot love both God and science.

There is no argument given for the mutual exclusivity of science and religion; rather it is the unquestioned presupposition of the film. This is ironic because one of the repeated emphases of the film is the necessity of critical thinking. No view is off limits to examination; we must insist on permission to question everything. Yet Dawkins and Krauss are strangely oblivious to their own unexamined assumptions. Why think that science, restricted as it is to the exploration of the physical world, is incompatible with the existence of God?  Alas, we are not told.

[…]Indeed, given their ignorance of the literature, one cannot help but wonder if Dawkins and Krauss are not, in fact, incapable of engaging in substantive conversation on these matters. Hence, their open endorsement of ridicule as “a useful tool for illuminating reality.” Dawkins’ philosophical gaucherie is on display when complains that his dialogue with the Archbishop of Canterbury was “ruined” by the chairman (Sir Anthony Kenny, himself an agnostic), who “is a philosopher and so thought it his duty to clarify things,” which led, says Dawkins, to “skewing.”  Similarly, Dawkins breezily dismisses “Why?” questions as “silly.”

So what do we make of Dr. Craig holding Dawkins and Krauss accountable? Well. it’s one thing to treat Peter Millican and Walter Sinnott-Armstrong nicely. But Krauss and Dawkins really need to be spanked for their own good, at this point. What else do you do with ignorant children who run around insulting grown-ups?

What I find ironic is that there are 7 areas of science where theism has gained decisive support in the last 50 years:

  1. The Big Bang cosmology
  2. The cosmic fine-tuning
  3. The origin of life
  4. The origin of phyla in the Cambrian explosion
  5. Galactic habitability
  6. Stellar habitability
  7. Irreducible complexity

Each of these poses a threat to naturalism, and a few of them are lethal to naturalism on their own. Atheists have been reduced to holding onto speculations to get around them. You know the sort: nothing creating something, unobservable multiverses explain fine-tuning, unseen aliens seeded the Earth with life, undiscovered pre-Cambrian fossil record, and so on. It’s a bad time to be an atheist. Science has refuted atheism over and over again!

William Lane Craig podcasts about “The Unbelievers”

There are 3 of these podcasts so far in the series:

  1. What was the point of the film?
  2. Is science opposed to religion?
  3. Unscientific assertions in the film

Hollywood selects leftist propaganda movie “Argo” for “Best Picture” Oscar

As USA Today reports, the truth is that the Canadians did almost all of the work of the rescue mission.

Excerpt:

The former Canadian ambassador to Iran who protected Americans at great personal risk during the 1979 Iran hostage crisis says it will reflect poorly on Ben Affleck if he doesn’t say a few words about Canada’s role should the director’s film “Argo” win the Oscar for best picture Sunday.

But Ken Taylor — who said he feels slighted by the movie because it makes Canada look like a meek observer to CIA heroics in the rescue of six U.S. Embassy staff members caught in the crisis — is not expecting it.

“I would hope he would. If he doesn’t then it’s a further reflection,” Taylor told The Associated Press. But the 78-year-old Taylor added that given what’s happened in the last few months, “I’m not necessarily anticipating anything.”

Taylor kept the Americans hidden at his residence and the home of his deputy, John Sheardown, in Tehran and facilitated their escape by arranging plane tickets and persuading the Ottawa government to issue fake passports. He also agreed to go along with the CIA’s film production cover story to get the Americans out of Iran.

Taylor became a hero in Canada and the United States afterward. He felt the role that he and other Canadians played in helping the Americans to freedom was minimized in the film.

“In general it makes it seem like the Canadians were just along for the ride. The Canadians were brave. Period,” Taylor said.

[…][Former U.S. President Jimmy] Carter appeared on CNN on Thursday night and said “90 percent of the contributions to the ideas and the consummation of the plan was Canadian,” but the film “gives almost full credit to the American CIA.”

Carter also called “Argo” a complete distortion of what happened when he accepted an honorary degree from Queen’s University in Canada in November.

“I saw the movie Argo recently and I was taken aback by its distortion of what happened because almost everything that was heroic, or courageous or innovative was done by Canada and not the United States,” Carter said.

Taylor said there would be no movie without the Canadians.

“We took the six in without being asked so it starts there,” Taylor said. “And the fact that we got them out with some help from the CIA then that’s where the story loses itself. I think Jimmy Carter has it about right, it was 90 percent Canada, 10 percent the CIA.”

He said CIA agent Tony Mendez, played by Affleck in the film, was only in Iran for a day and a half.

So, naturally, it gets the Oscar for Best Picture. It’s a fake movie, and that’s what we expect from uneducated artists who play make-believe for a living. The real Best Picture of 2012 was Dinesh D’Souza’s “2016”, but they’ll never pick that, because it told the truth. It was not even included as a nominee for Best Documentary, although it made more money than all the 15 nominees for Best Documentary, combined.

Friday night movie: Run Silent, Run Deep (1958)

Here’s tonight’s movie:

IMDB rating: [7.2/10]

Description:

The World War II U.S. Navy submarine commander P.J. Richardson (Clark Gable) has an obsession with the Japanese destroyer that had sunk his previous boat and three others in the Bungo Straits. He persuades the Navy Board to give him a new submarine command with the provision that his executive officer, or “exec”, be someone who has just returned from active sea patrol. He is single-mindedly training the crew of his new boat, the USS Nerka, to return to the Bungo Straits and sink the destroyer, captained by a crafty ex-submariner, now destroyer captain, nicknamed Bungo Pete. Richardson’s executive officer, Lieutenant Jim Bledsoe (Burt Lancaster), is worried about the safety of his boat and his crew. Bledsoe also is seething with resentment at Richardson and the Navy management for denying him command of the boat which he believes should rightfully have been his.

The new submarine used in the movie is a Balao class diesel submarine.

A Balao class diesel-electric submarine
A Balao class diesel-electric submarine

SS Balao specifications:

Length: 312′
Beam: 27′
Speed: 20-1/4 knots (surfaced); 8-3/4 knots (submerged)
Diving Depth: 400′ (test depth); 600′ (emergency)
Range: 20,000 miles
Endurance: 75 days
Crew: 10 (officers); 70 (enlisted)
Deck Gun: 1 3″/50-calibre, or 1 4″/50-calibre, or 1 5″/25-calibre
Anti-Aircraft Weapons: 1 or 2-20mm Oerlikons, or 2-40mm Bofors, or 1-20mm and 1-40mm
Torpedoes: 10-21″ torpedo tubes (6 bow, 4 stern); 24 Mark-14 torpedoes; Mark III Torpedo Data Computer
Radar: Short range SD air detection radar; SJ surface search radar; ST periscope radar
Sonar: JP hydrophone, upper deck; JK/QC, QB Sonar under bow

As everyone knows, I have an interest in all things military, including submarine warfare. One of the first games I ever played was Gato by Spectrum Holobyte, on my old Apple Macintosh. A good newer game to play is Silent Hunter IV and Dangerous Waters. For something more macro, I recommend Harpoon.

Happy Friday!

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