All posts by Wintery Knight

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How can a successful writer who “is true to himself” end up poor?

My friend Lindsay sent me this article about a very successful writer who has trouble making ends meet.

The story appeared in left-leaning The Atlantic. I don’t want to rehash the whole thing, because I want to make a point.

So, first thing to quote, this guy looks like a success to others, even though he is actually really struggling:

The Fed asked respondents how they would pay for a $400 emergency. The answer: 47 percent of respondents said that either they would cover the expense by borrowing or selling something, or they would not be able to come up with the $400 at all. Four hundred dollars! Who knew?

Well, I knew. I knew because I am in that 47 percent.

[…]You wouldn’t know any of that to look at me. I like to think I appear reasonably prosperous. Nor would you know it to look at my résumé. I have had a passably good career as a writer—five books, hundreds of articles published, a number of awards and fellowships, and a small (very small) but respectable reputation. You wouldn’t even know it to look at my tax return. I am nowhere near rich, but I have typically made a solid middle- or even, at times, upper-middle-class income, which is about all a writer can expect, even a writer who also teaches and lectures and writes television scripts, as I do.

The thing I like about this guy is that he doesn’t blame anyone else but himself – he thinks that his own decisions led him to poverty. Rod Dreher has a nice list of the mistakes at American Conservative:

1) He chose to live in New York, which is one of the most expensive places to live in the country;
2) He chose to be a writer, not the most lucrative and stable career;
3) He and his wife chose to put their kids in private school, something they felt was necessary in their Brooklyn neighborhood, but an expense they could have avoided or dramatically lessened had they lived in another part of the country (they eventually moved to the Hamptons to get out of paying that tuition);
4) He and his wife believed their two children had “earned” the right to go to very expensive universities, and they spent everything they had, and the inheritance his parents planned to leave for him, on educating the girls;
5) They got caught in the housing crash and had to sell a Manhattan apartment they owned at fire sale prices;
6) Given the way his income as a writer is structured, taxes were a bitch (as a writer, trust me, this is true).

Pay close attention to 1 and 2. I would NEVER live in a garbage blue state like New York. I would rather be dead in a ditch than live in a state that is run by Democrats. I hate the high taxes and high spending of blue states. Blue states are great places to go if you want to work and have someone else steal all of your money to buy votes from lazy losers.

And as far as 2 goes, I don’t think that I need to repeat my warnings to everyone about non-STEM fields.

Well, OK, I will:

Starting and Mid-Career salaries by profession (click for larger image)
Starting and Mid-Career salaries by profession (click for larger image)

Regarding the housing crash that he mentioned, Democrats caused that, by forcing banks to loan money to people who couldn’t afford to pay it back. If he voted for the Democrats, then he screwed himself again.

Now, you might think that people end up poor because they want to do work that is fun and enjoyable. And that’s true, I’ve seen that. But this guy’s problem was that he just spent beyond his means. Why? Well, the writer explains that he is compelled to spend the money, because spending money defines who he is. He can’t say no, because he thinks that he has one life, and one chance to define himself. He can’t think about the future, because he has to spend every last dime today in order to be who he really wants to be.

Dreher comments:

He felt that to choose otherwise would have made him inauthentic, untrue to himself. He felt that he deserved the life he had, and could not choose otherwise without betraying himself. I think this must be an extraordinary thing, in terms of history: people who spend recklessly to give themselves the lives they think they deserve. If you think about it, though, our culture, which valorizes Authenticity, encourages this.

I have to tell you, I just don’t understand this. I define myself by Christian virtues – self-control, self-sacrifice, concern for others who I know personally and in my community. I’m not a spender. I am a saver by nature, and the older I get, the more grateful that I am closer to retirement than I was before. Working gets harder as you get older, even for jobs that don’t require physical labor.

If you plan ahead, you can get all your working and saving done before you’re 50. That was my approach. But I see other people who haven’t started working full-time by 30 and even by 35. Every day when you are in school instead of working full-time in your field is a wasted day. With few exceptions, you will learn more on the job than in the classroom. You want get out of school and get working as soon as possible, with an eye to getting married as soon as possible – since marriage is a wealth building engine. The faster you start investing, the more time your money has to grow through interest and dividends.

The bottom line is that my obligation as a Christian is not to be true to myself, or anything weird like that. My obligation is to make sure I don’t starve, and then to turn to the people around me and make sure that they don’t starve. Sometimes, that means giving them good advice. Sometimes, it means recognizing their achievements with little gifts. But the main thing is that the world isn’t safe enough for you to put off earning so that you can do what you feel is the “real you”. Being independent and then serving others is more important than being the “real you”.

A lesson about men for marriage-minded women from the movie “High Noon”

Marine prays with his wife on their wedding day
Marine prays with his wife on their wedding day

One of my favorite movies for explaining the differences between men and women is “High Noon” (1952).

Here’s the summary from IMDB:

Former marshal Will Kane (Gary Cooper) is preparing to leave the small town of Hadleyville, New Mexico, with his new bride, Amy (Grace Kelly), when he learns that local criminal Frank Miller has been set free and is coming to seek revenge on the marshal who turned him in. When he starts recruiting deputies to fight Miller, Kane is discouraged to find that the people of Hadleyville turn cowardly when the time comes for a showdown, and he must face Miller and his cronies alone.

The main theme of the film concerns Amy’s decision to break her wedding vows the very day that she makes them. She tells her new husband that he must bow to her will, and give up his male role as protector. When he explains his reasons for standing his ground to her practically (Miller will hunt them down) and morally (he has a duty protect the town), she dismisses both. She tells him that if he doesn’t run away from Miller and his gang with her, that she will get on the train and leave town by herself.

The intro of film shows the member’s of Miller’s gang assembling, and the words of the song explain the central conflict between husband and wife:

Here’s the part of the lyrics we care about:

The noonday train will bring Frank Miller.
If I’m a man I must be brave
And I must face that deadly killer
Or lie a coward, a craven coward,
Or lie a coward in my grave.

O to be torn ‘twixt love and duty!
S’posin’ I lose my fair-haired beauty!
Look at that big hand move along
Nearin’ high noon.

He made a vow while in State’s Prison,
Vow’d it would be my life or his’n
I’m not afraid of death, but O,
What will I do if you leave me?

Do not forsake me O my darlin’
You made that promise when we wed.
Do not forsake me O my darlin’
Although you’re grievin’, I can’t be leavin’
Until I shoot Frank Miller dead.

What’s interesting is that his new wife Amy apparently does not understand the meaning of wedding vows or the natural roles of good men as protectors of the weak, and fighters against evil. Although she vowed to stick by him and help him, the minute anything threatening appears that makes her feel unhappy, she abandons her vows and abandons her man. Let’s break down her mistakes now, using actual conversations from the movie.

First, she doesn’t understand or respect the man she married as a man:

Kane: [while riding out of town] It’s no good. I’ve got to go back, Amy.

Amy: Why?

Kane: This is crazy. I haven’t even got any guns.

Amy: Then let’s go on. Hurry.

Kane: No, that’s what I’ve been thinkin’. They’re making me run. I’ve never run from anybody before.

Amy: I don’t understand any of this.

Kane: [after looking at his vest watch] Well, I haven’t got time to tell ya.

Amy: Then don’t go back, Will.

Kane: I’ve got to. That’s the whole thing. [He turns the buggy around and rides back into town]

Her feelings and her desires for the world to be a happy place for her are so strong that they cloud her judgment.

Second, she doesn’t understand the threat posed by evil men:

More:

Kane: I sent a man up five years ago for murder. He was supposed to hang. But up North, they commuted it to life and now he’s free. I don’t know how. Anyway, it looks like he’s coming back.

Amy: I still don’t understand.

Kane: He was always wild and kind of crazy. He’ll probably make trouble.

Amy: But that’s no concern of yours, not anymore.

Kane: I’m the one who sent him up.

Amy: Well, that was part of your job. That’s finished now. They’ve got a new marshal.

Kane: He won’t be here until tomorrow. Seems to me I’ve got to stay. Anyway, I’m the same man with or without this. [He pins his badge on his vest]

Amy: Oh, that isn’t so.

Kane: I expect he’ll come lookin’ for me. Three of his old bunch are waiting at the depot.

Amy: That’s exactly why we ought to go.

Kane: They’ll just come after us, four of ’em, and we’d be all alone on the prairie.

Amy: We’ve got an hour.

Kane: What’s an hour?…What’s a hundred miles? We’d never be able to keep that store, Amy. They’d come after us and we’d have to run again, as long as we live.

Amy: No we wouldn’t, not if they didn’t know where to find us. Oh Will! Will, I’m begging you, please let’s go.

Kane: I can’t.

Amy: Don’t try to be a hero. You don’t have to be a hero, not for me.

Kane: I’m not trying to be a hero. If you think I like this, you’re crazy.

Instead of recognizing how her feelings are deceiving her about the threat and trusting her husband, she tries to force him to accept her mistaken view of reality by threatening to abandon him.

One of Kane’s ex-girlfriends has a talk with Amy, which helps her to understand who Kane is, and what is expected of her:

Amy: That man downstairs, the clerk, he said things about you and Will. I’ve been trying to understand why he wouldn’t go with me, and now all I can think of is that it’s got to be because of you…Let him go, he still has a chance. Let him go.

Helen: He isn’t staying for me. I haven’t spoken to him for a year – until today. I am leaving on the same train you are…What kind of woman are you? How can you leave him like this? Does the sound of guns frighten you that much?

Amy: I’ve heard guns. My father and my brother were killed by guns. They were on the right side but that didn’t help them any when the shooting started. My brother was nineteen. I watched him die. That’s when I became a Quaker. I don’t care who’s right or who’s wrong. There’s got to be some better way for people to live. Will knows how I feel about it.

Helen: I hate this town. I always hated it – to be a Mexican woman in a town like this.

Amy: I understand.

Helen: You do? That’s good. I don’t understand you. No matter what you say. If Kane was my man, I’d never leave him like this. I’d get a gun. I’d fight.

Amy: Why don’t you?

Helen: He is not my man. He’s yours.

Helen understands the need for a wife to stand by her man. But Amy’s response to evil is to shut her eyes and focus on feeling good and being happy. Notice that her “better way” is unspecified – it’s just a feeling she has that pacificism and no-violence will somehow “work” to stop evil. But in reality, pacifism is not a “better way” of dealing with evil – it does not work. Her pacifist response not only does not make evil go away, it actually encourages more evil. Weakness emboldens evildoers, and laying down your arms provokes them to do more evil. Will Kane knows this, but she won’t listen to him.

You can watch the final gunfight here, as well as Amy’s final decision:

So, this is why I really recommend this movie as a discussion-starter when you like a girl and are thinking of marrying her. It clarifies the essential problem with many young women today not being ready for marriage. To be fair, most women come around to respect their husbands and his different roles after they get married. However, the risk of divorce is so dangerous that it makes sense to bring it up for discussion before the marriage happens. Marriage is supposed to be an engine to serve God, and the success of that enterprise cannot be left to chance. You can’t just rely on the fact that she says the words of the vow, you have to check to see if she has a habit of keeping her promises when it goes against her own self-interest.

Ask yourself: Who are you, as a man? And does your woman accept that you have obligations to stand up to evil and do good ? Will she support you in your battle against evil, or will the marriage just be about her feelings and desires? I would especially beware of women who think that God is speaking to them through their feelings and desires. Look at her friends: are they practical and successful? Or are they irresponsible, unaccountable and reckless? Look at her father: does he have a plan for her, and does he lead her to be practical, frugal and hard-working? If you are not going to get an ally and a supporter in a wife, then you will not be able to serve God well, as a married man. Think about it.

The psychological motivation of those who embrace postmodernism

Can a person be postmodern and a Christian? Not for long
Can a person be postmodern and a Christian? Not for long

Famous analytical philosopher John Searle has written a book “Mind, Language And Society: Philosophy In The Real World”, explaining what’s factually wrong with postmodernism. In the introduction, he explains what postmodernism is, and what motivates people to accept postmodernism.

He writes:

[…][W]hen we act or think or talk in the following sorts of ways we take a lot for granted: when we hammer a nail, or order a takeout meal from a restaurant, or conduct a lab experiment, or wonder where to go on vacation, we take the following for granted: there exists a real world that is totally independent of human beings and of what they think or say about it, and statements about objects and states of affairs in that world are true or false depending on whether things in the world really are the way we say they are. So, for example, if in pondering my vacation plans I wonder whether Greece is hotter in the summer than Italy, I simply take it for granted that there exists a real world containing places like Greece and Italy and that they have various temperatures. Furthermore, if I read in a travel book that the average summer temperature in Greece is hotter than in Italy, I know that what the book says will be true if and only if it really is hotter on average in the summer in Greece than in Italy. This is because I take it for granted that such statements are true only if there is something independent of the statement in virtue of which, or because of which, it is true.

[…]These two Background presuppositions have long histories and various famous names. The first, that there is a real world existing independently of us, I like to call “external realism.” “Realism,” because it asserts the existence of the real world, and “external” to distinguish it from other sorts of realism-for example, realism about mathematical objects (mathematical realism) or realism about ethical facts (ethical realism). The second view, that a statement is true if things in the world are the way the statement says they are, and false otherwise, is called “the correspondence theory of truth.” This theory comes in a lot of different versions, but the basic idea is that statements are true if they correspond to, or describe, or fit, how things really are in the world, and false if they do not.

The “correspondence theory of truth” is the view of truth assumed in books of the Bible whose genre is such that that they were intended by the authors to be taken literally, (with allowances for symbolism, figures of speech, metaphors, hyperbole, etc.).

But what about the postmodernists, who seek to deny the objectivity of external reality?

More Searle:

Thinkers who wish to deny the correspondence theory of truth or the referential theory of thought and language typically find it embarrassing to have to concede external realism. Often they would rather not talk about it at all, or they have some more or less subtle reason for rejecting it. In fact, very few thinkers come right out and say that there is no such thing as a real world existing absolutely, objectively, and totally independently of us. Some do. Some come right out and say that the so-called real world is a “social construct.”

What is behind the denial of objective reality, and statements about external reality that are warranted by evidence?

It is not easy to get a fix on what drives contemporary antirealism, but if we had to pick out a thread that runs through the wide variety of arguments, it would be what is sometimes called “perspectivism.” Perspectivism is the idea that our knowledge of reality is never “unmediated,” that it is always mediated by a point of view, by a particular set of predilections, or, worse yet by sinister political motives, such as an allegiance to a political group or ideology. And because we can never have unmediated knowledge of the world, then perhaps there is no real world, or perhaps it is useless to even talk about it, or perhaps it is not even interesting.

Searle is going to refute anti-realism in the rest of the book, but here is his guess at what is motivating the anti-realists:

I have to confess, however, that I think there is a much deeper reason for the persistent appeal of all forms of antirealism, and this has become obvious in the twentieth century: it satisfies a basic urge to power. It just seems too disgusting, somehow, that we should have to be at the mercy of the “real world.” It seems too awful that our representations should have to be answerable to anything but us. This is why people who hold contemporary versions of antirealism and reject the correspondence theory of truth typically sneer at the opposing view. 

[…]I don’t think it is the argument that is actually driving the impulse to deny realism. I think that as a matter of contemporary cultural and intellectual history, the attacks on realism are not driven by arguments, because the arguments are more or less obviously feeble, for reasons I will explain in detail in a moment. Rather, as I suggested earlier, the motivation for denying realism is a kind of will to power, and it manifests itself in a number of ways. In universities, most notably in various humanities disciplines, it is assumed that, if there is no real world, then science is on the same footing as the humanities. They both deal with social constructs, not with independent realities. From this assumption, forms of postmodernism, deconstruction, and so on, are easily developed, having been completely turned loose from the tiresome moorings and constraints of having to confront the real world. If the real world is just an invention-a social construct designed to oppress the marginalized elements of society-then let’s get rid of the real world and construct the world we want. That, I think, is the real driving psychological force behind antirealism at the end of the twentieth century.

Now, I’ll go one step further than Searle.

People, from the Fall, have had the desire to step into the place of God. It’s true that we creatures exist in a universe created and designed by God. But, there is a way to work around the fact that God made the universe and the laws that the universe runs on, including logic, mathematics and natural laws. And that way is to deny logic, mathematics and natural laws. Postmodernists simply deny that there is any way to construct rational arguments and support the premises with evidence from the real world. That way, they imagine, they are free to escape a God-designed world, including a God-designed specification for how they ought to live. The postmoderns deny the reliable methods of knowing about the God-created reality because logic and evidence can be used to point to God’s existence, God’s character, and God’s actions in history.

And that’s why there is this effort to make reality “optional” and perspectival. Everyone can be their own God, and escape any accountability to the real God – the God who is easily discovered through the use of logic and evidence. I believe that this is also behind the rise of atheists, who feign allegiance to logic and science, but then express “skepticism” about the origin of the universe, the fine-tuning of the universe, objective morality, the minimal facts concerning the historical Jesus, and other undeniables.